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Hot-Lifestyle-News: The best source for quality free celebrity photos, news, biographies and wallpapers presents Cameron Diaz. Cameron Diaz was born on the 30th of August, 1972, in San Diego, California. Her father, Emilio Diaz, was a second generation Cuban American and worked as a foreman for an oil company. Her mother, Billie, was an import/export broker of English, German and Native American descent (a complex blend of bloodlines that help ... read full biography

Cameron Diaz Biography

Cameron Diaz was born on the 30th of August, 1972, in San Diego, California. Her father, Emilio Diaz, was a second generation Cuban American and worked as a foreman for an oil company. Her mother, Billie, was an import/export broker of English, German and Native American descent (a complex blend of bloodlines that helps to explain Cameron's outrageous good looks). There was also an older sister, Chimene.

The family Diaz moved up the coast when Cameron was young. She attended Long Beach Polytechnic High School, former alumni including John Wayne (for one year) and Snoop Doggy Dogg. An eclectic mix, for sure, and probably not one of which the Duke would have approved. Co-incidentally, being as Cameron would go on to play the owner of an American football team in Any Given Sunday, Long Beach Poly has produced more NFL players than any other school in the nation. Also co-incidentally, part of The Insider, starring Al Pacino, Cameron's co-star in Any Given Sunday, was shot at the school (as were the classroom scenes in American Pie).

By the age of 16, tall, mature Cameron Diaz was already attending Hollywood parties, without her parents as chaperones - Los Angeles only being 55 minutes away on the light railway. At one, she found herself being pestered by seedy-looking men, each telling her he could turn her into a model (amazing, really, as she recalls "I looked hideous. I was wearing a jump-suit with heels"). One, though, stood out. He said he could get her a deal with the prestigious Elite modelling agency and she noted that his business card, unlike the others, did not feature "a nude girl in a champagne glass". Also, he seemed to have a fax number AND a surname. As it happened, he was Jeff Dunas, a genuine high-class photographer with real connections. Cameron consulted her family and called him back. Within a week she did indeed have a contract with Elite. Her first job was an advertorial for Teen magazine. She received $125.

In Japan, aside from building a professional reputation, two important things happened. One, she allowed a photographer she'd worked with, a friend of her model friends, to take nude pictures of her. They were intended for her own portfolio and she thought nothing of it - until 1995, when the shots turned up in Celebrity Sleuth magazine, without Cameron's consent and much to her embarrassment. Two, she met video director Carlo de la Torre. This was love, big-time. When she returned to America, the pair moved in together. They'd remain a couple for five years.

So, still not 20, Cameron found herself jetting between exotic locations - Australia, Mexico, Morocco - modelling for fashion magazines and catalogues, appearing in adverts for the likes of Nivea, LA Gear, Calvin Klein, Levi's and Coca Cola. Her fees rose to $2000 a day. She was having a great time. Once, while making a Coke ad on Bondi Beach, she drank all manner of cocktails, then proceeded to a Japanese restaurant where she quaffed 30-year-old sake. The next day, suffering terribly, she recognised that she'd poisoned herself quite severely. She says she lost seven pounds in 24 hours. Where from is anyone's guess.

Then came The Mask, quite by accident (oh, it's enough to make you puke!). Cameron was visiting the office of the agent charged with getting her TV ads, and she noticed a script on the desk. She asked what it was and, when told, jokingly said she could do it easy. Taking her at her word, the agent set up an audition and, twelve auditions later, she had so convinced director Chuck Russell of her innate abilities that he lobbied for her, and she was in. And she was great, despite the problems of working with SFX AND the fact that - as she does before every movie - she suffered terrible stomach pains due to stress. Indeed, before The Mask, she had worried herself an ulcer. These days she relies on special breathing techniques to calm herself.

At the next year's ShoWest award ceremony, Diaz would be voted Female Star Of Tomorrow. But she was well aware of her lack of schooling. Immediately upon getting The Mask, she took acting lessons, and threw herself into a series of indie projects with ensemble casts - for experience's sake. Indeed, once she'd broken her wrist while practising martial arts for a part in Mortal Kombat (a part taken by Bridgette Wilson), and lost, to Gabrielle Anwar, a role in Things To Do In Denver When You're Dead, ALL her next five movies were indies.

First came The Last Supper, where Diaz played one of a group of liberal students sharing a house in Iowa. Inadvertently killing a lunatic Bill Paxton, they decide that, each Sunday, they will invite one of the local right-wing crazies to supper, judge them Star Chamber-style, and whack 'em. It's funny and very, very black - Cameron fitting in well, despite the lack of Mask-type glamour. Next came the rom-com She's The One, written and directed by Edward Burns, then riding high on The Brothers McMullen and soon to appear in Saving Private Ryan and alongside De Niro in 15 Minutes. Here Cameron played a catty ex-hooker who messes up both Burns and his brother. She actually suggested her character's scenes be slightly rewritten to make her more likeable. Not so that audiences would like HER more, but so they'd better understand why the boys were falling for her. Burns agreed, and rewrote.

Next came Feeling Minnesota, where she played ex-stripper Freddie Clayton, who marries Vincent D'Onofrio in order to repay a debt but would rather be with his brother, Keanu Reeves. Going on the run with Reeves, she's pursued by private dick Dan Aykroyd. Importantly, while filming the movie, Diaz found she was staying in the same hotel as Matt Dillon, in town to shoot Beautiful Girls. The two met, but nothing happened - she was seeing co-star D'Onofrio at the time. Dillon said he'd call when he got back to New York. He didn't - not for a year, anyway.

Now came Head Above Water, another black comedy, where Diaz played the young wife of judge Harvey Keitel, meeting ex-lover Billy Zane and having to conceal his body after his sudden death. Then there was Keys To Tulsa, where Cameron played down the bill to Eric Stoltz, James Spader and Deborah Kara Unger in a tale of blackmail, double-cross and revenge.

Now, having moved to LA, she took off. Having hit big with Muriel's Wedding, director PJ Hogan took on a big-budget Hollywood rom-com in My Best Friend's Wedding. Here, journalists Dermot Mulroney and Julia Roberts have been friends for years. Now he's to marry cute, kind, incredibly rich Kimmy, played by Cameron. Roberts, naturally, now decides she's actually in love with Mulroney and, advised by gay buddy Rupert Everett, attempts to wreck the wedding and claim Mulroney as her own. Unfortunately, Diaz is SO nice, Roberts finds it increasingly hard to ruin her life.

My Best Friend's Wedding was a massive hit, and proved a turning-point in Julia Roberts' career. It also launched Cameron, whose naivety and decency were hilariously over-the-top (she's a natural comic). Many remember the scene where, set up for humiliation by Roberts, she has to sing Bacharach/David's I Just Don't Know What To Do With Myself at a karaoke bar. She's terrible, unutterably awful, but her courage wins over the crowd, thus foiling the sneaky Roberts. This is one reason why real audiences take so readily to Cameron. Though clearly beautiful and exceptionally talented, she's not afraid to send herself up and to appear less than perfect.

Having learned her craft so quickly in that series of indie flicks, she'd got the taste for low-budget movies, and would now attempt to balance her career, where possible, between big and small. On the small side, she played puppeteer John Cusack's wife in Being John Malkovich, entering Malkovich's head and having sex with Catherine Keener (another Golden Globe nomination). She joined the star-studded female ensemble cast of the intertwining Things You Can Tell Just By Looking At Her, as a blind woman, then played a Seventies rebel who commits suicide, then has her secret life uncovered by her grieving sister, in The Invisible Circus. Apparently, she was beaten to the female lead in Waking The Dead by Jennifer Connolly, which just goes to show the implacable and uncompromising indieness of director Keith Gordon (you'll remember him as the supergeek owner of the killer car in Christine).

2003 would see them break up for good, Diaz taking up with the pop star and fledgling actor Justin Timberlake, 9 years her junior. This relationship would bring even more attention, 2005 seeing Diaz and Timberlake separately sue British papers for accusations of infidelity. Both suits were successful, and Diaz would have more joy in the courts the same year when photographer John Rutter was sentenced to nearly four years in jail for forgery, perjury and attempted grand theft, having demanded $3 million from Diaz for the return of topless bondage-style shots he'd taken of her before she was famous.

Onscreen, 2005 would see only a single Diaz release. This was In Her Shoes where she played a ditzy bimbo, carefree and sexually-liberated, who's forced to move in with her straight-laced lawyer sister Toni Collette. Diaz steals, trashes and betrays at will but, discovering she has a long-lost grandmother in Shirley Maclaine, she's taught to find joy in competence and responsibility by the old lady and her retirement home buddies. It could have been the most cloying of chick flicks, but strong performances kept it all credible.

Cameron Diaz certainly doesn't need money, particularly as, being a big fan of fries and Egg McMuffins, she's so cheap to feed. Besides, she has her own restaurant, Bambu, down in Miami. One thing she'd LIKE, certainly, is more good parts, and you can bet she'll be scouring the works of her favourite authors, Raymond Carver and Charles Bukowski, to find material. She's also moved gradually towards using her fame for the greater good, in 2005 lecturing at Stanford University on environmentally friendly design.

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